The Fed Cuts Again: a new piece of theatre

The Federal Reserve, ever anxious to appear both decisive and contemplative, has delivered its third consecutive rate cut, trimming another 25 basis points from the federal funds rate and assuring the public, with its characteristic blend of solemnity and denial, that this somehow constitutes a coherent strategy.

The FOMC voted 9–3 for the reduction, and in a gesture worthy of ecclesiastical ambiguity, rewrote parts of its communiqué to suggest “uncertainty”, as if acknowledging confusion might be mistaken for intellectual humility rather than directional blindness. Jerome Powell, performing the familiar ritual of post-meeting reassurance, insisted the Fed had now “done what was necessary” to protect jobs while also maintaining enough monetary pressure to suppress inflation. A delicate balancing act, of course, especially when one is operating without key economic data because the government itself has ceased to function. Yet Powell spoke with the serene confidence of a man who has learned that the tone of certainty is always more important than the substance.

Pressed on whether the next move was inevitably another cut, he danced around the question, but admitted that nobody on the committee sees a rate hike as plausible. Hawks exist only in speeches now, never in votes. Markets responded with Pavlovian obedience, a response central bankers have come to mistake for credibility. Expectations for next year’s cuts fell from three to two, the S&P 500 nudged itself politely higher, and the 10-year yield slipped to around 4.15%, a reminder that traders will always hear what they want to hear.

But the true story lies in the dissents, three of them, the first such fracture since 2019. Austan Goolsbee and Jeff Schmid wanted no cut. Stephen Miran, Trump’s appointee, wanted a half-point slash. A house divided, not by ideology, but by the increasingly obvious fact that nobody knows whether inflation or unemployment represents the greater menace. The Fed’s great tragedy is that it must pick a direction while refusing to admit it is navigating by candlelight.

The committee even revived the language it had used just before the last pause, a sign that it longs for the safety of ambiguity. It also authorised fresh Treasury purchases to ensure “ample reserves”, a genteel way of saying that quantitative tightening has reached the point where continuing it would risk breaking things. Meanwhile, unemployment has crept up to 4.4%, inflation remains stuck at 2.8%, and the blackout of official data has forced policymakers to rely on anecdotes, partial estimates, and old numbers dressed up as insight.

Yet the Fed cut rates anyway — not because the data demanded it, but because John Williams, Powell’s institutional shadow, signalled that dissent would be impolite. In a system obsessed with messaging, consensus has become choreography.

The Fed’s updated projections now foresee one cut in 2026 and another in 2027. But beneath this well-pressed median lies a battlefield: seven officials believe rates should stay exactly where they are, while eight support at least two cuts. Growth expectations for 2026 have been revised upward to 2.3%, inflation is expected to drift to 2.4%, and tariff effects are assumed to fade quietly, as though trade policy were governed by the laws of meteorology rather than presidential impulse.

Powell, hoping to sound authoritative, suggested goods inflation would peak in the first quarter “if nothing major is announced”. Anyone familiar with Washington knows such conditional statements have the predictive value of incense.

And so the Fed cuts rates again, calls it prudence, and assures the world that the plan is working.
But behind the curtain, the institution looks less like a guardian of stability and more like a troupe improvising its way through an opera whose libretto it has long since lost.

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